“Problemista,” Julio Torres’ feature debut, encapsulates his unique blend of surrealism, whimsy, and social commentary, offering a quirky and thought-provoking exploration of immigration, bureaucracy, and the art world. Drawing on his previous work, including “Los Espookys” and “My Favorite Shapes,” Torres creates a world where the inner lives of toys intersect with the harsh realities of New York City.
The film follows Alejandro, portrayed by Torres himself, a young man from El Salvador who dreams of making toys in the competitive landscape of New York. His journey intertwines with the eccentric characters he encounters, including the frozen artist Bobby, played by RZA, and the tempestuous art critic Elizabeth, portrayed by Tilda Swinton.
Torres’ performance as Alejandro is understated yet observant, offering a contrast to the outlandishness of his co-stars. He navigates the complexities of the immigration system with a mixture of dreamer’s optimism and pragmatic realism, drawing on his own experiences as an immigrant.
Swinton’s portrayal of Elizabeth is a tour de force, embodying the character’s sharp-tongued chaos with magnetic intensity. She serves as both a foil and a mentor to Alejandro, challenging him to confront the obstacles in his path while also recognizing his potential.
The film’s visual style is characterized by playful colors and whimsical designs, reminiscent of surrealistic classics like Jacques Tati’s “PlayTime” and Luis Buñuel’s “The Discreet Charm of the Bourgeoisie.” Torres creates a world where immigrants navigate surreal obstacles, from metaphysical hourglasses to Craigslist genies, in their quest for belonging.
“Problemista” rewards viewers familiar with Torres’ previous work while also welcoming newcomers with its offbeat humor and creative storytelling. It invites audiences to embrace the whimsy and silliness of its world or face Elizabeth’s wrath without a source of joy for reprieve.