The movie revolves around Jerico Stewart (Kevin Costner), a death row inmate who undergoes an experimental procedure to implant the memories and skills of deceased CIA agent Bill Pope (Ryan Reynolds). The goal is to retrieve vital information that Pope had obtained before his death.
In the climax of the film, Jerico, now possessing Pope’s memories and skills, faces off against a powerful and dangerous anarchist named Xavier Heimdahl (Jordi Mollà). Heimdahl possesses a wormhole program that can access any computer system, posing a significant threat to global security.
Jerico, with the help of Pope’s memories, infiltrates Heimdahl’s hideout. A series of intense action sequences follow, including a confrontation with Heimdahl. The movie builds tension as Jerico battles not only Heimdahl but also internal conflicts stemming from his own criminal instincts.
In the resolution, Jerico successfully stops Heimdahl, preventing the release of the wormhole program. The film ends with Jerico finding a sense of redemption as he embraces a more righteous path, influenced by the memories and experiences of Bill Pope.
The ending of “Criminal” combines elements of action and drama, exploring themes of redemption and the impact of memories on one’s behavior. The film concludes with a sense of closure for Jerico Stewart and the potential for a new beginning.
In summary, “Criminal” ends with Jerico Stewart successfully thwarting the antagonist and finding a form of redemption through the memories and skills implanted in him, highlighting themes of transformation and the power of individual choices.